Why I started the channel

For decades, I have wanted to edit an anthology of poems I love. A collection I could pick up and enjoy without having to leaf through pages of poems that did little for me.

I found that frustrating about anthologies. There would be poems I wanted to return to, scattered among many that I did not appreciate much. Someone else’s selection, however thoughtful, could never quite be mine. I wanted to bring my favourites together in one place, chosen for the pleasure I took in reading them.

That desire stayed with me for years. It has now found a form I had not originally imagined: my Classic Poems YouTube channel.

When You Are Old — William Butler Yeats

From the page to video

When I read and assimilate a poem, I visualize it. The words suggest an atmosphere, a movement, a scene. I linger over a line, hear its rhythm, and let an image take shape. That has always been part of how I read poetry.

Discovering what AI models could do made me think about sharing some of that experience. I could give a poem a voice and a visual treatment, turning the reading into a video. The anthology I had wanted to edit could become a collection people could watch and listen to.

YouTube made that idea especially appealing. A printed anthology would have asked someone to find the book and open it. A video could reach someone who had never gone looking for poetry at all. They might arrive for a few minutes, hear a poem, and find something they wanted to return to.

The selection remains personal. These are poems I love, narrated by an AI voice whose delivery I guide. I shape the visuals around how I experience each poem, and decide whether the result feels right.

Annabel Lee — Edgar Allan Poe

Bringing the poems to life

I built a tool called poemvid to help turn those choices into finished videos. There is quite a bit happening behind the scenes, but the broad process is straightforward:

  1. Choose and prepare the poem. I start with a poem I want in my collection, keeping its wording, line breaks, and stanza structure intact, along with its title and author.
  2. Shape the reading. I choose an AI voice and direct the delivery to suit the poem. The pace, pauses, and expression matter: the same words can feel very different depending on how they are spoken.
  3. Give it a visual treatment. I choose colours, atmosphere, and movement that reflect how I experience the poem. The words remain on screen, with highlighting that helps the reader follow the voice.
  4. Check the narration and timing. The reading is checked against the text, and the displayed words are checked for agreement with the spoken delivery. A convincing voice is of little use if it reads a word incorrectly or the visuals race ahead of it.
  5. Render, review, and share. I bring the reading and visuals together, watch and listen to the result, make adjustments where needed, and upload the finished video to the channel.

The part I care about most is still the encounter with the poem. The production process needs to support that: make the words easy to follow, give the reading room to breathe, and create an atmosphere in which I would want to listen.

Ozymandias — Percy Bysshe Shelley

My old wish to edit an anthology is taking shape, one poem at a time. Each video is a selection from that collection, accompanied by something of the way I hear and visualize it.

If that appeals to you, visit Classic Poems on YouTube. I hope you find a poem there that you will want to return to.